Tuesday, October 04, 2005

Pirates Fans Needed For Movie Shoot

Calling all Pirate fans -- filmmakers need extras at PNC Park this Saturday.

Producers of the film "Chasing 3000" need fans dressed in their Pirate gear for more crowd shots this weekend.

The movie is about two brothers who travel home to Pittsburgh in 1972 hoping to see Roberto Clemente's 3,000th hit.

The movie shoot will begin at sunrise.


Friday, September 16, 2005

Friday, Sept. 16 at Club Cafe

This Friday at Club Cafe:

Early ShowSLAID CLEAVES plus ADAM CARROLL

$14
Advance / $16 Day of ShowDoors 6PM Show 7PMWith Wishbones, Slaid Cleaves turns up the volume. His third album for Philo/Rounder features all the strengths that have drawn him a loyal following as one of America's most acclaimed singer-songwriters. The songs remain literate, emotionally vivid, and concisely colorful. Only this time, they make you move. "When I started writing songs for Wishbones, I was concerned with living up to Broke Down," says Cleaves, referring to the ground-breaking album that elevated the singer-songwriter from critics darling to fan favorite. "I felt like I'd finally achieved something with this dark, folk-tragedy thing I'd been attempting for several years. As soon as Broke Down was finished, I knew the next record would have to go in a different direction."When the time came to start working on a new record, Cleaves discussed possibilities with his long-time producer, Gurf Morlix, the former Lucinda Williams collaborator who, in recent years, has become one of Austin's hottest producers thanks to his work with Cleaves, Ray Wylie Hubbard, Mary Gauthier and many others. After three years of steady touring, Cleaves decided he wanted to make more of a band album, one that rocked harder than the acoustic-based songs he'd previously recorded. Morlix, a monster electric guitarist as well as a masterful producer, readily agreed. "Slaid wanted a more muscular sound," Morlix explains. "Broke Down was Slaid in a more acoustic phase, but with great, vibey songs. With Wishbones, he wanted to raise the bar. He wanted more groove, more muscle. He's a smart guy who thinks about what he wants, and he goes and gets it done." With both collaborators in agreement, Wishbones was on its way.Terser and punchier than past work, yet still packed with the same emotional weight and clever wordplay, Wishbones proves Cleaves is a versatile artist capable of swagger as well as sensitive insight. The strong narratives and character-driven stories are filled with moments of reckoning. "Some of these songs are about people facing something difficult, like we all do from time to time," Cleaves says. "There's a certain drama in those times of your life that are turning points."While the title song focuses on a desperate hope for another chance, "Sinner's Prayer," about a man hiding a dark side that's ruining him, hasn't a hint of optimism. Set to a gospelly, dark blues reminiscent of Bob Dylan's recent work, it's one of the songs that shows how much Cleaves has transformed himself on his new album."I'm so thrilled with the sound of this album," he says. "There's a moodiness to it, attitude. The instrumentation becomes more a part of the story instead of the background to the story." Meanwhile, "Horses and Divorces" and "New Year's Day" are vibrant character sketches inspired by unforgettable people Cleaves has met along the way. "Drinking Days" is the sequel to "Horseshoe Lounge" from Broke Down. This time the main character has sobered up, but he's still having trouble straightening up all the damage he's already done: "My drinkin' days are over / But I'm still troublebound."He wrote most of the songs while hiding out in a country cabin, away from his usual routine. "I've written each album in a different way," he says. "It seems I need to shake things up a bit to get the ideas flowing. I don't know what I'll do for my next record, but I'm sure I'll have to do something unexpected, something new, to make it work."For Cleaves, Wishbones continues the journey he embarked upon when he left his days as a counrty/rock bar singer in Maine, intent on focusing on his songwriting in the Americana capital of Austin, Texas. The city's focus on musical integrity fit Cleaves' ambition and personality, and he quickly proved himself as a worthy new resident. In 1992, Cleaves won the prestigious Kerrville Folk Festival's New Folk competition - an award previously given to such striking talents as Lyle Lovett, Robert Earl Keen and Steve Earle. By 1996, he had signed to Rounder Records and released his impressive debut, No Angel Knows, which attracted widespread critical acclaim and announced the former Maine resident as a major new singer-songwriter. Broke Down, which followed in 2000, reached beyond the cult audience Cleaves had attracted and gave him a national following. The Austin Chronicle dubbed it "the first great Texas album of the 21st Century," while the Chicago Sun-Times noted that Cleaves "has fashioned a timeless yet fresh sound rooted in the best storytelling tradition of the great singer-songwriters." Wishbones will bring more of the same: Cleaves' audience will continue to grow while critics will rush to pile on the praise. The singer-songwriter, though, takes a more modest view. "I'm real proud of this album," he says. "Normally I hear every little flaw in my own records. But this one - I put it on and I just smile."


Late ShowFREE MUSIC ENSEMBLE

$10
Advance and Day of Show Doors 10PM Show 10:30PM
Since June of 2001, Ken Vandermark (reeds), Nate McBride (bass) and Paal Nilssen-Love (drums) have literally, been dropping the jaws of audiences here and abroad.FME is likely one of the most adventurous projects of all Ken Vandermark's work. This group works in a modular system of composition, allowing each element to be utilized by any member of the group. Sets are constructed by re-sequencing material, and the components remain variable during each performance, rather than being standardized. This forces the members to constantly reinvent and re-interpret the music from moment to moment. The end result: anything that functions as an inspiring platform for improvisation can and will be used.This September, the trio will embark on their second North American tour with a new Okka Disk release in tow, entitled Cuts. Cuts documents sessions that took place in Oslo after an extensive tour in North America and Europe last year.What is heard on their new release, particularly on "Broken" and "Slip" is the influence of Shellac and This Heat-rock music that deconstructs standard genre models. Another source of impact came from the indeterminate construction ideas of John Cage, where set components are put into motion without the control of a single individual.FME will be recording a new album while on this tour; creating a storehouse of material for the band to select the best work for a new release on Okka Disk in 2006.FME Discography:Cuts cd (Okka Disk, 2005)Underground cd (Okka Disk, 2004)FME cd - limited edition (Okka Disk, 2002)Related work:Spaceways, Inc. (Ken Vandermark, Nate McBride and Hamid Drake). Visit www.atavistic.com.Dual-Pleasure Duo (Ken Vandermark and Paal Nilssen-Love) Visit www.Okkadisk.com.School Days (Ken Vandermark, Paal Nilssen-Love and a rotation of international improvising musicians). Visit www.okkadisk.com.Triple Play (Ken Vandermark, Nate McBride and Curt Newton). Visit www.okkadisk.com.Vandermark 5 (Ken Vandermark, Kent Kessler, Tim Daisy, Dave Rempis and Fred Lonberg-Holm). Visit www.atavistic.com for discography and more information.Bridge 61 (Ken Vandermark, Nate McBride, Jason Stein and Tim Daisy). debut full-length coming early 2006.

Wednesday, September 14, 2005

Send Me Your Halloween Events!

Do you know of some great stuff going on on Halloween? Is a local bar having a costume contest or great drink specials? Do you know of a great Haunted House everyone should visit?

I am putting a call out to *you* to send me some of the great stuff going on in the Pittsburgh area for a project I am working on.

I'd appreciate the help :)

Send your submissions by clicking here.

Tuesday, September 13, 2005

Maser Galleries: Salute to Rock and Roll

Maser Galleries Grand Opening: Salute to Rock and Roll
One Oxford Center

Philip Burke, Bruce Reinfeld, Steve Kaufman, Francesco Scavullo, Burton Morris, Ronnie Wood

Paintings Photographs Posters Prints

Live band performance.

September 23, 2004
301 Grant Street
Pittsburgh, PA 15219
5:30 p.m. to 9:30 p.m.
412-232-0212

Tuesday, September 06, 2005

September 20: Real World Casting Call!

Bunim/Murray to Look for New Stars in Pittsburgh, PA area

On September 20, 2005 from 10 a.m. to 5 p.m., Casting Directors from Bunim/Murray Productions, producers of the perennial hit MTV show “The Real World” will be holding an open casting call at Boomerang’s Bar and Grill, 3909 Forbes Ave. Pittsburgh, PA 15213. Applicants are asked to bring a recent picture of themselves (which will not be returned) and photo ID. Must be 18-24 years old.

Seven lucky people will get the opportunity of a lifetime when MTV hands over the keys to a new fantasy pad this year for the show’s 18th season. The Real World, MTV’s longest running show, is a documentary series about seven strangers who spend five months living and working together.

So what does it take to get on the show? “We look for characters from real life; people with strong personalities who are unafraid to speak their minds,” says Jonathan Murray, an Executive Producer of “The Real World.” Past seasons have been populated with cast members from all walks of life, who have shared their daily experiences openly with millions of viewers. Fans of the shows will remember alumni such as the irreverent Teck; Pedro, the HIV/AIDS educator; and Melissa, the hilarious firecracker from the “The Real World: New Orleans” cast.

The challenge will be met as the Bunim/Murray casting department screens tens of thousands of applicants during open casting calls across the country. All of the applicants have one thing in common: they want millions of television viewers to know their name… and who they are.

Everyone between the ages of 18 – 24 is encouraged to bring a recent photo and identification to the open casting call at Boomerang’s Bar and Grill from 10 a.m. to 5 p.m.

Wednesday, August 31, 2005

Sept. 1-4: Christopher Titus at the Improv

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Titus is best known as the star, executive producer and co-creator of the critically acclaimed series TITUS, which ran on FOX TELEVISION for three years. The series was dark comedy based on Christopher's critically acclaimed one-man show, Norman Rockwell Is Bleeding, which was hailed by TV Guide as one of the top ten shows to watch on television. Time Magazine called TITUS "brutal,hilarious and audacious," while Newsday called Christopher "TV's most original comic voice snice Seinfeld." Titus can next be seen in his Showtime Comedy Special, based on his one-man show "NORMAN ROCKWELL IS BLEEDING" on which his fox sitcom was inspired. This is the last time that christopher Titus will perform his critically acclaimed show. He along with Ken Weinstock produced the show at the UCLA Freud Playhouse, and Jack Kenny who co-created the Fox seris "Titus" with Christopher Titus and Brian Hargrove directed. The special is set to air on the Showtime Network in November. Christopher Titus jokes about things most comics would find impossible to make funny. Custody battles, insanity, family suicides, heart attacks, and fist fighting his father are all topics to be confronted, not hidden from and are areas his sitcom explores. "I think our collective psychosis is hilarious. With the world moving as fast as it is, if we weren't dysfunctional, we couldn't function," says Titus. Starting at age eighteen, he used to wait outside the comedy clubs with the door cracked, listening for his intro so he could rush to the stage, do his set and make a quick exit because he was under age. Twelve years later Christopher is one of the best headliners in the country with a unique and insightful act based on his one-of-a-kind life experiences. Titus is that most rare of comics in that his material is edgy and pushes the envelope, but still accessible and meaningful to the common audience. After much experimentation, he debuted his one-man show Norman Rockwell Is Bleeding at The Hudson Theater in Los Angeles. The packed house gave him a standing ovation.

166 East Bridge Street
The Stacks at the Waterfront
Homestead, PA 15120
1-412-462-5233


Sept. 21: Glen Phillips at the Cabaret


Venue: Cabaret at Theater Square
Tickets: $20.00

Glen Phillips appears for a one night concert at the Cabaret at Theater Square with special guests Griffin House and Kim Richie.

Born in Santa Barbara, Glen Phillips was the lead singer and main songwriter for Toad the Wet Sprocket. The band started in 1986, when Phillips was only 14. Their first LP, Bread and Circus, was recorded in 1988 and got them signed to Columbia Records. After six albums and a substantial amount of touring, the group disbanded in 1998.

Phillips began touring as a solo act after Toad the Wet Sprocket broke up, and worked with producer Ethan Johns to create his first solo album, Albulum. Glen Phillips says it took a "ridiculously long time" to create; it was finally released in April of 2001 on Brick Red Records. Phillips has also collaborated on several songs with bluegrass band Nickel Creek and toured with them for the last half of 2001. He released Live at Largo in In 2003, followed by a collection of new material, Winter Pays for Summer, in 2005.

Must be 21 or over to gain admittance.

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Sept. 16: Citizen Cope CD Release Party at Dowe's On Ninth

Times: 7:30pm and 10pm, Sept. 16


CD Live
Venue: Dowe's on Ninth
Tickets: $20.00

After a sold out performance last March and a crowd pleasing concert opening weekend of the Three Rivers Arts Festival, Citizen Cope returns to Dowe's for two shows this fall to perform hit songs such as "Son's Gonna Rise" and "Bullet and a Target" from his latest, self-produced album, The Clarence Greenwood Recordings, released in September, 2004.

A fusion of folk, country, soul, hip-hop and occasional reggae beats, Cope's musical blend is not of fascination but of necessity. His distinctive compositions perfectly complement his political yet personal, hardened yet hopeful lyrics. He believes in what he plays as much as he believes in what he writes.

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Sept. 7: Bill Deasy and Band at the Cabaret


Venue: Cabaret at Theater Square
Tickets: $10.00

Bill Deasy is the former lead singer/songwriter of the Gathering Field, whose regional hit "Lost in America" led to a deal with Atlantic Records. His new CD, "Chasing Down a Spark" is the follow-up to his 2003 release, "Good Day No Rain," which received rave reviews and airplay nationwide. Deasy has been touring the country both acoustically and with his new band and has also appeared as an opening act for artists such as Bob Dylan, Bruce Springsteen, Patty Griffin, John Mellencamp and Norah Jones.

Must be 21 or over to gain admittance.

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Doobie Brothers to Headline Friday Night Concerts at 84 Lumber Classic

August 31, 2005 -- The Grammy Award winning Doobie Brothers will headline the Friday night concerts at the 2005 84 Lumber Classic. The Doobies replace Lynyrd Skynyrd, which canceled a series of September and October dates due to lead singer Johnnie Van Zant needing surgery for vocal chord polyps.

On Saturday evening, September 17, country superstar Lee Ann Womack takes the stage. Her latest release, "There's More Where That Came From," has received critical praise and has firmly entrenched her back on the charts as one of contemporary country music's most popular performers.

In 2002, she won an American Music Award for Favorite New Country Artist, as well as the Country Music Award. This was followed in 2003 by two Grammy Awards, one for Best Female Country Vocal Performer and the other
for Best Vocal Collaboration with Willie Nelson.

The PovertyNeck Hillbillies open on Friday evening for the Doobie Brothers, and on Saturday evening, the Crazy Cowboy Band will open for Lee Ann Womack.

Concerts are held on the Polo Field at Nemacolin Woodlands Resort with opening acts starting approximately one half hour after the official end of that days' round of the PGA TOUR 84 Lumber Classic. Admission to all 84
Lumber Classic concerts is free with a valid tournament ticket for that day's round.

Tickets to the 84 Lumber Classic are available at Dick's Sporting Goods, 84 Lumber Stores, Nemacolin Woodlands Resort, online at http://www.84lumberclassic.com, or by calling 1-877-GO-C-8484.

Sunday, August 14, 2005

Stage Preview: Chicago Sept 13-18

Chicago Come on, babe...experience it live and in person! The one, the only CHICAGO. "Chicago has no peer on Broadway in matters of wit, style and sheer musical riches," says Charles Isherwood, Variety. It's Broadway's most popular musical, a razzle dazzle tale of sin and celebrity. And now, you can see it LIVE. The recipient of six Tony Awards, two Olivier Awards, a Grammy and thousands of standing ovations, CHICAGO is the sensation that just keeps getting bigger and bigger.

CHICAGO is presented by PNC Broadway in Pittsburgh.




Date: Tuesday, September 13 - Sunday, September 18, 2005 @ the Benedum Center
Presenter: PNC Broadway in Pittsburgh - SPECIAL PRESENTATION

City Paper Food Review: Dunning's Grill

  • Location: 1100 Braddock Ave., Regent Square, 412-243-3900
  • Hours: Mon.-Thu., 11:30 a.m.-10 p.m.; Fri.-Sat., 11:30 a.m.-11 p.m.
  • Prices: $6-13
  • Fare: Bar-style comfort food
  • Atmosphere: Bar-style comfort
  • Liquor: Full bar

These days, “family restaurant” is generally synonymous with “national chain,” a place where meticulous branding meets immaculately inoffensive food. Sadly, the neighborhood bar is headed in the same direction, and is increasingly run by someone who’s never been to your neighborhood. There’s one place on Braddock Avenue that even has trademarked itself as a “Neighborhood Bar & Grill” -- but it’s on a mall outparcel, not in the neighborhood business district.

A little nearer to said business district -- in fact, right in the heart of it -- you can find something a little more authentic. For more than two decades, Dunning’s Grill has served the good neighbors of Regent Square as both a corner bar -- dark paneling, sports trophies, a few good brews on tap -- and as a family place: paper placemats, Little League trophies and a Crayola’d kids’ menu.

When we arrived with toddler in tow, our hostess thoughtfully seated us far from the bar and promptly provided us with a high chair and an unbreakable cup of milk. We grown-ups could still enjoy bar beverages as we perused a conventional menu of easy-to-understand, easy-to-digest dishes. With offerings like burgers, sandwiches, pasta and that perennial Pittsburgh favorite, turkey Devonshire, Dunning’s isn’t out to challenge anyone’s palate, and that’s OK. Sometimes all a body wants is some fried appetizers and melted cheese, especially when that body belongs to someone below the age of reason. At times like this, Dunning’s is there for you.

Fried zucchini was pared into thin planks, but a light, crispy breading allowed the vegetable’s bitter-tart flavor to shine through so that it did not become a mere conveyance for deep-fried batter. We found ourselves uncharacteristically reaching for the salt shaker, but we liked that Dunning’s serves its zucchini with both lemon and horseradish for all the seasoning you’d want.

A cup of French onion soup was like a savory sundae, boasting a base of rich, beefy broth and generous toppings of crouton and gooey molten Swiss, the latter delectably browned and dripping down the sides of the cup. If this was all there was to French onion soup, it would have been perfection, but alas, we missed the sweet pungency of browned onions, which is, after all, the raison d’etre of this classic indulgence.

A friend had sung the praises of Dunning’s chicken wings, his ode so sincere that we looked forward to joining the refrain. And the wings we sampled were certainly far from ordinary: dry, more like tiny fried chicken than saucy Buffalo wings (though sauce is also available), with spicy seasoning in the breading. But unlike the zucchini, these were a bit too salty, and the overall effect fell short of our superlative expectations. Better, in our opinion, were Dunning’s homemade potato chips, available as an appetizer or alongside sandwiches. Thick, crisp and full of the earthy flavor of spuds, these embody the allure of fresh chips.

Angelique’s eggplant Parmesan consisted of six or seven thin medallions of eggplant, each about the diameter of a soup can, on a heaping bed of penne pasta. Again in contrast to the zucchini, here the breading was almost equal to the thickness of the eggplant itself, with the result that the vegetable presented the least prominent flavor in the whole dish. All this was ladled with plenty of deep red, chunky marinara sauce, and, in case you’d not yet reached your comfort-food threshold, there was -- yeah, baby -- melted cheese on top.

Jason decided he was in the mood for a burger, which turned out to be a good choice. While Dunning’s doesn’t brag about outsized slabs of ground beef, the patty is meaty, well charred and served on a substantial, above-average bun. The only off note was the bacon, which was kettle-chip-crisp, out of character with the toothsome meatiness of its fellow fillings.

Serving as Regent Square’s communal family room, a place where grown-ups raise a beer to another day conquered and kids don’t cry over a little spilled milk, Dunning’s provides an excellent model of a local business serving the generations of a community.

Angelique:

Jason: